Marie0722

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Marie0722 last won the day on November 15

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About Marie0722

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    British Columbia, Canada

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  1. EQ 8

    Yes, you can upgrade from EQ6. EQ6 users don't pay the full price for the upgrade either but the discount is less than for EQ7 users.
  2. Looks like we don't have to worry about that anymore, Cagey... last night at the guild meeting the lady who sent her to me told me that she loves it so much that she has decided to keep it for herself for now and not give it to her daughter just yet.
  3. Lol, Cagey, I asked her about that... she said she started quilting in 1984, so has accumulated a lot of fabrics but her friends also raided their stashes, and she just needed one small piece for one hexagon each, so they all gave her some of all they fabrics they bought during those five years as well.
  4. EQ 8

    I have been using EQ for the past 18 years and I don't sew anything without it. I upgraded to the new version the day it came out, and I love it. Definitely worth the upgrade. I usually hate change for no reason, but they overhauled the whole worktable setup, and it is so much easier to use now. Lots of hidden new features, and what I love most is that it now shows you the measurements when you are in print mode and click on a block.
  5. Thank you, everyone, for all your nice words! It was a lot of fun quilting this one, and although it took a while, I was almost sorry when I was done. That has never happened before for sure Carol, that was a lucky accident. I was trying to figure out a way to do continuous leaves in the green background but couldn't come up with an idea that would work for turning the corners. Then I decided it would take long enough to do all the flowers individually and went with this. I was delighted when I realized it looked like an echo around the petals. Gail, yes, lots of starts and stops but I managed to do every flower in one continous line, and after finishing one row of flowers, all the green hexagons around them could be done without stopping, so it wasn't too bad. I was just worried that I'd miss a few hexagons, so I checked every single one before taking the quilt of the frame... and I had missed two. Boy, was I glad I took the time to do that. Cathy, yes, she already picked it up, and she loved it. She will give this to her daughter for Christmas. I really hope the daughter understands the amount of work that went into this quilt.
  6. Usually I am my own worst critic but I finished a quilt for a customer last week that I am really happy with. It is a king size Grandmother's Flower Garden, all hand pieced. Every flower is made up of seven different fabrics, and every fabric was only used once in the quilt. There are a few repeats in the green background but not in the flowers. She worked on it on and off for five years, and she must have collected every basic fabric out there for the last 20 years. It was so much fun quilting the flowers and looking at all the different fabrics, recognizing many of them. She asked me to "make the flowers look like flowers", and I think I did
  7. Batting tape

    Thank you, Jim, that's good to know! Before I bought my Millie, that's how I managed to quilt big quilts on my domestic machine... cut the batting into thirds and spray baste and quilt one third at a time starting in the centre of the quilt. I never taped or stitched the batting pieces together. People thought I was crazy but I have never had problems either. With Millie I have always dutifully stitched the pieces together with the largest zig zag settings on my machine, I thought I had to because there is no basting. I will definitely try it your way now... yes, I am lazy
  8. Trimming Question

    Lora, I don't think there is right and wrong in this case, it's more a matter of personal preference. For my personal quilts I trim to the edge. But there are lots of people out there who want extra fullness in the binding, that's why I always ask when they bring me the quilt how they want this handled.
  9. Thank you, Lora, I will look into it. I have been thinking I could probably use Electric Quilt for auditioning designs but haven't had the time to figure it out. Quilter's Lightbox sounds much easier though!
  10. Loyal customers. ???

    I have always believed (and still do) that quilting makes the quilt. And when I moved from Europe to Canada and started working at the local quilt shop, I was totally surprised when I found out that most people don't agree with that assessment, that in fact most quilters don't actually like to quilt at all. They just like making the tops. And the quilting is not important to them at all. I love to quilt, and that's why I eventually decided to buy a longarm machine and quilt for others. I would love to add a computer to do the pantos for me because I find them quite boring. But I know that no one would pay me for that, it would have to be a business investment for myself. I custom quilt all my own stuff, and that's what I show at the guild meetings, and that's what brings me customers because they are all in awe of my skills (which are far from perfect, especially compared to what you guys post here but if you can't quilt at all, you might look at things a little differently). But the majority of them stills wants pantographs because it's cheaper.
  11. Most of my customers want pantographs, and I always try to get them involved in design and thread choices because I want to get an idea what *they* like. Usually I make a few suggestions, and when I feel they are going somewhere that doesn't work at all or when I can see that they have no idea what to pick, then I gently steer them where I would go. That has always worked in the past. This particular quilt was just so frustrating because I found a design for the background that would have been perfect, and then she insisted on the other one. I hated doing it... it felt like the quilt was screaming *no*... and I don't like the result at all. Oh well, nothing I can do about it other than learn from the experience.
  12. Name of block....

    Maybe a variation of an Odd Fellows Chain? The centre is a little different but otherwise it looks like it.
  13. Thanks for your input, ladies! I came to the conclusion yesterday that it was my mistake. I personally can't imagine not knowing how you want your quilt quilted, and I always try to encourage people to get involved. That's what I did with free motion quilting for years. And then I finally realized it's not going to happen because most people just don't like the quilting part. That's essentially why I ended up buying a longarm. I have decided that while it's the customer's quilt and she has to like it, if I am not happy with it, it shouldn't be out there with my name on it. There is nothing I can do in this particular case, I have stated my professional opinion multiple times and given good reasons (in my opinion ) why the design does't work. But she wants it, and I will do it. But from now on I won't get them involved like this, and I will reserve the right to refuse when they insist on something that I don't think will work. In this case she was reluctant to give me the creative license to do what I want but she had no clue what she wanted either. I should have realized this and insisted. But I had never really talked to her before... it gets easier once you get to know them a little better. Vicki, I don't have a program but I usually draw on clear plastic to create an overlay and then take a picture. I am not going to waste more time on this one, I will get it done and out of the house and file it as a learning experience. Ines, thank you for saying this. When I look at all the pictures here and everybody is so talented, and then I look at my own stuff, and I see all these "flaws" (and yes, I know that I am the only one to see those ), I find it difficult to believe sometimes that people might choose me for my skills, especially since I haven't been doing this for very long compared to some of the others around here. As for Kathleen Riggs, she is definitely famous in her neck of the woods. She is in her 20s and from Alberta, Canada. Her mother is a fantastic quilter as well, and her father is a certified Judy Niemeyer instructor, so it must be in her genes.
  14. I was wondering how those of you that quilt for others handle this part. Do you discuss the details of how to quilt with the client? Or do you quilt what *you* think works best? Last year we had Kathleen Riggs at our guild for a trunk show, and she said she never discusses anything with a customer. If they want to decide how a quilt is going to be quilted, they need to find someone else to do it for them. Her reasoning was that they picked her because they liked her work, and it wouldn't be "her work" anymore if she quilted what she was told to do. I have always thought it's the customer's quilt, and they have to like it when it's done but I am beginning to reconsider. I am dealing with one of my guild members right now who came to me with a quilt that she felt needed "something special". I am not the only longarm quilter in our guild, she has four or five to choose from. But she chose me because she liked the things I bring for show and tell. And she didn't know what that "something special" would be. All she knew was how much she was willing to pay for it, and it was a reasonable price that she had in mind. I have been running ideas by her for three days now, and she settled on something that she saw online which is very simple and does not suit her quilt/fabric choices at all in my opinion. My suggestions are all "too much". And I am thinking if I had just finished her quilt my way, she would have loved the result. She probably just can't visualize how it would look. I will quilt what she wants, it's her quilt after all, but I know I am not going to be happy with it. That's why I am considering Kathleen's way and would love to hear how others handle it.
  15. Thank you for your suggestions! I hate marking too and try to avoid it whenever possible. I like working with rulers but just stitching away in free motion is so much more fun!